Sunday, October 9, 2011
It's surprising, the things that come to light after someone has passed. Especially someone as indispensable as Steve Jobs. This is an excerpt from the New York Time's article, The Power of Taking the Big Chance, about the last minute changes made just prior to the 2007 launch of the iPhone. The world has truly lost a genius.
DO WHATEVER IT TAKES TO DELIGHT CUSTOMERS Six weeks before the introduction of the iPhone in 2007, Mr. Jobs ordered a crucial design change. Until then, the planning for supplies, manufacturing and engineering had been based on the assumption that the smartphone’s face would be plastic, recalls Tony Fadell, a former Apple executive who led iPod and iPhone development from 2001 to 2009. Plastic is less fragile than glass, and easier to make.
But the plastic touch screen had a drawback. It was prone to developing scratches. Those scratches, Mr. Jobs insisted, would irritate users and be seen as a design flaw. “All the logical facts told us to go with plastic, and Steve’s instinct went the other way,” Mr. Fadell says. “It was Steve’s call — his gut.”
The glass choice was a challenge that seemed “nearly impossible” at the time, he says — a last-minute scramble to get supplies of specialized glass and tweak the design of the phone’s casing to reduce the chances the glass would crack when an iPhone was dropped. But with extra investment and a frenetic work regimen, the switch proved doable, despite the tight deadline.
The episode, Mr. Fadell says, points to a principle he took away from his years working with Mr. Jobs. “You do not cut corners and you make sure the customer gets an experience that is an absolute delight,” observes Mr. Fadell, who heads a Silicon Valley start-up company whose product has not yet been disclosed and will not compete with Apple.
Wednesday, October 5, 2011
The road less traveled...maybe?
Now that I've returned home, I have this dilemma.
Up until now I had been pretty set on making my own way here; doing the freelance thing since this would be the best time of any, to do it. I don't have a job that I go into everyday (I'm sitting in a robe and fuzzy snowflake slippers right now as I type. It's cold - don't judge). But as the days go on, I don't have a definitive of what I can be or what to do. Murals are wonderful but I have a lot more to offer. I just haven't found the people to offer those services to yet. Need a painting installed? I have a hammer and a keen eye. Need an appraisal? I can probably do it in a day or two. Want to go to an estate sale or auction? I have a quick paddle hand.
Until the day comes that I feel genuinely secure in my freelance career, the tugging of benefits and salary seem mighty fine.
There's a position doing what I pretty much did before, handling a fine art collection. I will apply and then I'll see if they call back. And then I'll weigh my options. But the road less traveled that I thought I was going to venture down, is pretty damn scary. I have hope, though, that I'll stick with it and see what's at the end of that one because I think the payoff will be more exciting.
Up until now I had been pretty set on making my own way here; doing the freelance thing since this would be the best time of any, to do it. I don't have a job that I go into everyday (I'm sitting in a robe and fuzzy snowflake slippers right now as I type. It's cold - don't judge). But as the days go on, I don't have a definitive of what I can be or what to do. Murals are wonderful but I have a lot more to offer. I just haven't found the people to offer those services to yet. Need a painting installed? I have a hammer and a keen eye. Need an appraisal? I can probably do it in a day or two. Want to go to an estate sale or auction? I have a quick paddle hand.
Until the day comes that I feel genuinely secure in my freelance career, the tugging of benefits and salary seem mighty fine.
There's a position doing what I pretty much did before, handling a fine art collection. I will apply and then I'll see if they call back. And then I'll weigh my options. But the road less traveled that I thought I was going to venture down, is pretty damn scary. I have hope, though, that I'll stick with it and see what's at the end of that one because I think the payoff will be more exciting.
Tuesday, October 4, 2011
It feels good to be back in Ann Arbor. The tinges of red and fiery orange tell me that I got back into town just in the nick of time. Otherwise I would've missed picking apples and going trick-or-treating with my niece for Halloween. The long freelance stint in Chicago was great but now it's time to hunker down for some serious business. I'll be getting a new business card soon and gearing up to do some sketches for holiday cards and a nursery. I can't wait!
Tuesday, September 6, 2011
Loving: The work of Michelle Armas
Every so often I find an artist who's work really speaks to me. Today I found the blog and shop of Michelle Armas, out of Atlanta. Not only am I loving her ethereal works, I love the platform in which she makes it so easy to purchase her original or reproduced works (priced $20 and up). Brilliant. Truly. Check it out.
Monday, August 15, 2011
Free Coffee!
I really love Mail Chimp, the service I use for internet marketing. And since they're celebrating their 10th birthday on August 20th with free coffee, I thought I'd share the happy news. Here's the list :)
Wowza. Just like that. With a snap of my fingers, I've been MIA from this blog for exactly a month. Gone from my husband for two weeks (and another mounting). And even longer from my freelance dreams. Don't get me wrong, I'm freelancing right now but back in Chicago.
It's funny. I'm busier now than I ever was when I had a full time gig. In the last two months I've been paid to design and package a full wedding invitation suite, do research, style on a photo shoot, write a blog and do graphic design. And here I thought I'd be twiddling my thumbs. So much for that theory. I'll be back. Soon. Promise. xo
It's funny. I'm busier now than I ever was when I had a full time gig. In the last two months I've been paid to design and package a full wedding invitation suite, do research, style on a photo shoot, write a blog and do graphic design. And here I thought I'd be twiddling my thumbs. So much for that theory. I'll be back. Soon. Promise. xo
Saturday, July 16, 2011
Tuesday, July 12, 2011
Thursday, July 7, 2011
Home
It's with great pleasure that I can say that I'm home, once again, in Ann Arbor, Michigan. Everything's better and brighter than I remembered and it's because we were away for seven years. Had we stayed, I wouldn't have noticed that the clouds mimic the statuesque trees or how sprawling the lawns are or how varied the florals are here. People say hello in the street and I haven't gotten the Finger yet, only waves to go first. How refreshing! There's lots more to come but unpacking and settling in comes first. Stay tuned.
Sunday, June 26, 2011
Wednesday, June 22, 2011
Tuesday, June 21, 2011
Single digits
Chicago
Now the that countdown of days until we move is in the single digits, the fear is starting to set in. What if the movers are late? What if there's not enough work to keep me afloat? What if no one sits next to me at lunch? Ok...maybe that's the least of my worries but the thought of leaving Chicago has been sad and nostalgia-inducing. We came to the city with no jobs, using internet cafes (remember those?!) and enjoying our unabashed free time exploring restaurants and neighborhoods. Our view was a peek of the Lake and the southern city skyline; glorious light and voyeuristic opportunities. Nick and I grew together and met new people that changed our lives.
I will miss sitting at Wicker Park's fountain, the endless sea of interesting people to stare and point at during street fairs and the many fond memories of my niece soaking herself silly from the spitting bears at the playground (they spit water, people). To my loyal friends I've shared this fine city with over the years - you will be sorely missed. I've also had the privilege of spending a lot of time with my dad who moved to Chicago last Fall. His adjustment has been a fruitful one with a position at the MCA (he'd love a visit from you!) and lots of time to paint.
For now I crave some sort of semblance of consistency that doesn't involve trekking five flights of stares (our elevator's out of commission - again), vomit at our front entrance or explaining to a street person why I don't have $20 to give them. Yep, they're brazen here.
Ann Arbor
I've been hyper-romanticizing the lushness of Gallup Park, the sleepy hum of cicadas in the summer and easy strolls along Main Street and Top of the Park. I haven't forgotten the drunken stumblers along State or the rowdiness of South U. I look forward to reliving my youthful memories of North Campus and paddle boats on the River. Heck, when we get a car maybe I'll even fly over the speed bumps at Huron for old time's sake.
In 1998 I remember leaving the School of the Art Institute, packing up my dorm and leaving on an Amtrak. I cried watching the skyline growing smaller and more distant. I didn't want to admit defeat or tell myself I wasn't going back. But I knew I wasn't (for financial reasons, art school is damn expensive)! Little did I know that not would I be returning six years later, but to call it home for seven. Since my career will no doubt meander with my interests, I'll be back time and time again. So truly, this isn't about saying good-bye, but more so about appreciating all the moments that we get. As an homage to Chicago and my dear, sweet friends, this week's posts will be dedicated to all the beautiful moments and imagery that have touched me over the last seven years. Thank you for being my friend.
Now the that countdown of days until we move is in the single digits, the fear is starting to set in. What if the movers are late? What if there's not enough work to keep me afloat? What if no one sits next to me at lunch? Ok...maybe that's the least of my worries but the thought of leaving Chicago has been sad and nostalgia-inducing. We came to the city with no jobs, using internet cafes (remember those?!) and enjoying our unabashed free time exploring restaurants and neighborhoods. Our view was a peek of the Lake and the southern city skyline; glorious light and voyeuristic opportunities. Nick and I grew together and met new people that changed our lives.
I will miss sitting at Wicker Park's fountain, the endless sea of interesting people to stare and point at during street fairs and the many fond memories of my niece soaking herself silly from the spitting bears at the playground (they spit water, people). To my loyal friends I've shared this fine city with over the years - you will be sorely missed. I've also had the privilege of spending a lot of time with my dad who moved to Chicago last Fall. His adjustment has been a fruitful one with a position at the MCA (he'd love a visit from you!) and lots of time to paint.
For now I crave some sort of semblance of consistency that doesn't involve trekking five flights of stares (our elevator's out of commission - again), vomit at our front entrance or explaining to a street person why I don't have $20 to give them. Yep, they're brazen here.
Ann Arbor
I've been hyper-romanticizing the lushness of Gallup Park, the sleepy hum of cicadas in the summer and easy strolls along Main Street and Top of the Park. I haven't forgotten the drunken stumblers along State or the rowdiness of South U. I look forward to reliving my youthful memories of North Campus and paddle boats on the River. Heck, when we get a car maybe I'll even fly over the speed bumps at Huron for old time's sake.
In 1998 I remember leaving the School of the Art Institute, packing up my dorm and leaving on an Amtrak. I cried watching the skyline growing smaller and more distant. I didn't want to admit defeat or tell myself I wasn't going back. But I knew I wasn't (for financial reasons, art school is damn expensive)! Little did I know that not would I be returning six years later, but to call it home for seven. Since my career will no doubt meander with my interests, I'll be back time and time again. So truly, this isn't about saying good-bye, but more so about appreciating all the moments that we get. As an homage to Chicago and my dear, sweet friends, this week's posts will be dedicated to all the beautiful moments and imagery that have touched me over the last seven years. Thank you for being my friend.
Monday, June 20, 2011
Activating a Space
Some people are afraid of color. I'm not. (Probably to the point where I should stop dressing like a three year old who picked out her outfit in the dark, but that's besides the point). In terms of truly changing a space, there are few things more effective than splashing the area with high intensity color. With a tweak of blue here and a dash of yellow there, hues of red and pink are activated. Here's an obvious example of what I'm talking about.
It wouldn't have to be large, just well thought out and strategically placed in an area that gets non-direct daylight (you wouldn't want the effect to be washed out). Then put an elegant frame over it with an open back and voila! - instant charm.
It wouldn't have to be large, just well thought out and strategically placed in an area that gets non-direct daylight (you wouldn't want the effect to be washed out). Then put an elegant frame over it with an open back and voila! - instant charm.
Monday, June 6, 2011
Detroit on the Rise
About seven years ago, I was introduced to The Heidelberg Project, an outdoor art installation project that's taken over a block on the east side of Detroit. (At the time, it was not even at the height of its sprawl due to scale backs and demolition by the city, a continuous battle that's been happening since it's conception in 1986). Abandoned homes and spaces were reclaimed and beautified by paint and objects on the buildings, streets and sidewalks. Tyree Guyton, the artist responsible has continued the process and is receiving even more attention than ever. Check out this call for work from UM's gallery in Detroit inspired by the Heidelberg Project.
OPEN CALL FOR ENTRIES
City of Pieces: Street Interventions
curated by Beth Diamond
October 21 – November 18, 2011
reception October 21. 6-9pm
Twenty-five years ago, Tyree Guyton responded to the decay and abandonment of his eastside childhood neighborhood by transforming what had been considered garbage into a two-block long environmental artscape infused with energy, social critique and vision. Declared to be the “spiritual godfather of the Detroit grassroots art scene” by the Detroit Free Press, Guyton has inspired other visionaries to be urban bricoleurs – remaking the city from the pieces left behind. All over Detroit alternative arts and architectures have been emerging which challenge the ways people are now looking at the city.
This is an open call to street artists and photographers working in and around Detroit to contribute documentation of your work: images, videos, gallery maquettes and/ or installations for the Exhibit City of Pieces: Street Interventions to be held at Work•Detroit Gallery.
The work exhibited must exist outside traditional art venues – in the everyday corners of the world. This includes all forms of both sanctioned and guerilla street art including: murals, assemblages, constructions, graffiti, conceptual and performance art that are reflective of life in Detroit.
TO SUBMIT
http://art-design.umich.edu/exhibitions/submit/city_of_pieces_street_interventions
work • detroit is a unique space for the sharing of creative process and an integral component of the University of Michigan School of Art & Design. work • detroit presents the work of student, faculty, alumni, as well as local, national, and internationally prominent thinkers and makers. The underlying mission of work • detroit is to explore and define lines of creative connection between the University of Michigan, Detroit, and beyond.
work • detroit | University of Michigan School of Art & Design
3663 Woodward Avenue | Detroit, MI 48201
313.593.0940
http://art-design.umich.edu/exhibitions/work_detroit
gallery hours | T - Sa 11-4 during exhibits
OPEN CALL FOR ENTRIES
City of Pieces: Street Interventions
curated by Beth Diamond
October 21 – November 18, 2011
reception October 21. 6-9pm
Twenty-five years ago, Tyree Guyton responded to the decay and abandonment of his eastside childhood neighborhood by transforming what had been considered garbage into a two-block long environmental artscape infused with energy, social critique and vision. Declared to be the “spiritual godfather of the Detroit grassroots art scene” by the Detroit Free Press, Guyton has inspired other visionaries to be urban bricoleurs – remaking the city from the pieces left behind. All over Detroit alternative arts and architectures have been emerging which challenge the ways people are now looking at the city.
This is an open call to street artists and photographers working in and around Detroit to contribute documentation of your work: images, videos, gallery maquettes and/ or installations for the Exhibit City of Pieces: Street Interventions to be held at Work•Detroit Gallery.
The work exhibited must exist outside traditional art venues – in the everyday corners of the world. This includes all forms of both sanctioned and guerilla street art including: murals, assemblages, constructions, graffiti, conceptual and performance art that are reflective of life in Detroit.
TO SUBMIT
http://art-design.umich.edu/exhibitions/submit/city_of_pieces_street_interventions
work • detroit is a unique space for the sharing of creative process and an integral component of the University of Michigan School of Art & Design. work • detroit presents the work of student, faculty, alumni, as well as local, national, and internationally prominent thinkers and makers. The underlying mission of work • detroit is to explore and define lines of creative connection between the University of Michigan, Detroit, and beyond.
work • detroit | University of Michigan School of Art & Design
3663 Woodward Avenue | Detroit, MI 48201
313.593.0940
http://art-design.umich.edu/exhibitions/work_detroit
gallery hours | T - Sa 11-4 during exhibits
Wednesday, June 1, 2011
Mural in the Name of Love
There is something just absolutely wholesome and endearing about this video proposal. Besides the fact that he obviously went through a lot of trouble and time (not to mention his assistants' time), the subject matter of the blossoming tree with Scrabble pieces was such an original and (probably personal) touch. Congratulations are in order!
Friday, May 27, 2011
Mural Museum
Hot. Dog! I had no idea that a mural and sign art museum existed right here in Illinois. The International Walldog Mural & Sign Art Museum is located in Pontiac (about two hours southwest of Chicago). Their mission is to preserve and show outdoor wall art whether it be from the side of a building, advertisement or barn. I may have to make this trip someday soon.
Friday, May 20, 2011
Shimmy and Shimmer
There are many women artists but very few contemporary ones that have broken the $1 million mark at auction. (This does not account for private transactions, of course). This is yet another strong indication of the skewed appreciation and the distribution of wealth in this country. Meaning, wealthy men buy art made by men. I don't necessarily agree with the ideologies that attach themselves to reaching such a publicly displayed threshold (this is a much longer conversation that I can be coerced into having over a bottle of smooth vodka) but one such artist to have done this is Bridget Riley.
By Bridget Riley, High Sky 2, 1992
Born in London in 1931, Riley became known for her complex and moiré pattern compositions during the era of Op (optic) art, a movement of scientific works which came into vogue during the 1960s. Her more recent works have employed softer palettes but the same kind of playfulness in terms of palette juxtaposition. I like to describe this effect of color interaction, like the facets of a diamond, as "shimmering", as if they're dancing with one another. A mural like this would be effective at the end of the long hallway where you can really stand back and witness the meandering lines of color patterns daily.
Original design by Yen Azzaro, WWM 2011
By Bridget Riley, High Sky 2, 1992
Born in London in 1931, Riley became known for her complex and moiré pattern compositions during the era of Op (optic) art, a movement of scientific works which came into vogue during the 1960s. Her more recent works have employed softer palettes but the same kind of playfulness in terms of palette juxtaposition. I like to describe this effect of color interaction, like the facets of a diamond, as "shimmering", as if they're dancing with one another. A mural like this would be effective at the end of the long hallway where you can really stand back and witness the meandering lines of color patterns daily.
Original design by Yen Azzaro, WWM 2011
Thursday, May 19, 2011
Wednesday, May 18, 2011
Iceland
Ísland (pronounced ees-land) was an indescribable adventure. I saw more beauty and natural energy than any other place I've been to. You can literally feel the land moving and growing with its geysers, "foss" (waterfalls), rocky lava terrain and volcanoes. Along the Golden Circle tour we were told numerous stories of the Hidden People and why you should never make them cross. There's truly a spirit of mysticism that surrounds this entire island nation. It was also light out for 18+ hours of the day which made going to sleep even that much harder. Thank you, AM + RW for a truly amazing wedding adventure. Here are a few choice photos of the patterns that will undoubtedly result in a new series of wall art.
Skál!
Skál!
Friday, May 6, 2011
Child's Play
I'll be gone for a week so I wanted to leave you with something fun and whimsical. There are few things I love more than children's illustration and the playful aspects of it exist in even my most serious works. How about commemorating a moment in your child's life with something really positive and colorful? Say, the first day of school:
The fantastic bedroom is from Emma's Designblogg
Mural is original design by Yen Azzaro
Choosing a happy moment will bring peaceful slumber to a child at bedtime. See you in about a week!
Cheers and sweet dreams,
The fantastic bedroom is from Emma's Designblogg
Mural is original design by Yen Azzaro
Choosing a happy moment will bring peaceful slumber to a child at bedtime. See you in about a week!
Cheers and sweet dreams,
Monday, May 2, 2011
April Showers Bring...
Color variations of the same original mural design. These can be done in one session. Contact me at WhiteWallMurals@gmail.com for your free consultation.
Three-legged Wonders
I have quite an affinity for three-legged things. Least of which includes three-legged dogs. (Can you believe it, I've met more than a few). One such example would be the lovely three-legged table my husband found in the alley. I know what you're thinking -- gasp -- the alley!? But believe me, once you've lived in the city long enough and get over the risk of bringing bedbugs (no soft goods for me, folks) or general alley debris into your home, you'll find some real gems.
This trusty little three legged table only adds to the charm of the three-legged chair we have. Through some research, I found the chair was part of a dining set reminiscent of modern Scandinavian design similar to works by Hans Wegner. I don't think it's an original but the style is definitely derived from his aesthetic. It's a little banged up but one of these days I'll get around to reupholstering it and painting the legs. Look out for that post soon. But I digress terribly...back to the table. With a hard composite top, "floating" legs on the side and wonderful brass details, I couldn't resist trying to spruce it up.
Découpage is a form of attaching paper to a surface. Historically, this was done on porcelain or paper during printmaking processes. Today, it's been simplified (and dummied down) with the wonderous assistance of the gooey delight we know as Mod Podge. Much like it's cousin, glue, Mod Podge has great qualities of thickness and efficiency but its finishes vary on what you want the results to be: glossy, matte or even sparkle. For the table I chose glossy to highlight the graphic quality of the design I chose, a brown and cream woodcut paper. After cleaning and drying the surface, I spread a thin layer of Mod Podge working quickly (as it dries in no time) and laid the paper down carefully. Immediately I added brushed on another layer over the paper and worked to get air bubbles out. The bubbles are probably the hardest and most aggravating part of this project. I suggest a squeegee to push them out if you have it. Let it dry for at least 30 minutes and add another layer.
Voila! There you have it, a fun and easy way to change a surface. This method would look dashing as a collage on the wall too.
Cheers,
This trusty little three legged table only adds to the charm of the three-legged chair we have. Through some research, I found the chair was part of a dining set reminiscent of modern Scandinavian design similar to works by Hans Wegner. I don't think it's an original but the style is definitely derived from his aesthetic. It's a little banged up but one of these days I'll get around to reupholstering it and painting the legs. Look out for that post soon. But I digress terribly...back to the table. With a hard composite top, "floating" legs on the side and wonderful brass details, I couldn't resist trying to spruce it up.
Découpage is a form of attaching paper to a surface. Historically, this was done on porcelain or paper during printmaking processes. Today, it's been simplified (and dummied down) with the wonderous assistance of the gooey delight we know as Mod Podge. Much like it's cousin, glue, Mod Podge has great qualities of thickness and efficiency but its finishes vary on what you want the results to be: glossy, matte or even sparkle. For the table I chose glossy to highlight the graphic quality of the design I chose, a brown and cream woodcut paper. After cleaning and drying the surface, I spread a thin layer of Mod Podge working quickly (as it dries in no time) and laid the paper down carefully. Immediately I added brushed on another layer over the paper and worked to get air bubbles out. The bubbles are probably the hardest and most aggravating part of this project. I suggest a squeegee to push them out if you have it. Let it dry for at least 30 minutes and add another layer.
Voila! There you have it, a fun and easy way to change a surface. This method would look dashing as a collage on the wall too.
Cheers,
Saturday, April 30, 2011
Black and Gold
I looked up into the night sky
And see a thousand eyes staring back
And all around these golden beacons
I see nothing but black
I feel a way of something beyond them
I don't see what I can feel
If vision is the only validation
Then most of my life isn't real
'cause if you're not really here
Then the stars don't even matter
Now I'm filled to the top with fear
That it's all just a bunch of matter
'cause if you're not really here
Then I don't want to be either
I wanna be next to you
Black and gold
Black and gold
Black and gold
By Sam Sparro
No, we're not pitching to the Steelers (that is, unless they want a mural) but black and gold are so elegant together. Sometimes a dark hue can suck the living life out a space by making it smaller (think red in a long hallway) but also consider how it recedes from lighter layers on top of it. Dark paint is also fantastic in a room that gets warm, southern exposure light. Metallic line work would pop against a darker hue. Here's one of my original designs that highlights sharp angles. I see it fitting into a sophisticated dressing or powder room.
Don't be afraid of the dark. It can be a stunning masterpiece in a small area!
And see a thousand eyes staring back
And all around these golden beacons
I see nothing but black
I feel a way of something beyond them
I don't see what I can feel
If vision is the only validation
Then most of my life isn't real
'cause if you're not really here
Then the stars don't even matter
Now I'm filled to the top with fear
That it's all just a bunch of matter
'cause if you're not really here
Then I don't want to be either
I wanna be next to you
Black and gold
Black and gold
Black and gold
By Sam Sparro
No, we're not pitching to the Steelers (that is, unless they want a mural) but black and gold are so elegant together. Sometimes a dark hue can suck the living life out a space by making it smaller (think red in a long hallway) but also consider how it recedes from lighter layers on top of it. Dark paint is also fantastic in a room that gets warm, southern exposure light. Metallic line work would pop against a darker hue. Here's one of my original designs that highlights sharp angles. I see it fitting into a sophisticated dressing or powder room.
Don't be afraid of the dark. It can be a stunning masterpiece in a small area!
Thursday, April 28, 2011
A Contemporary Desert
We have a pair of bull horns over our entryway mirror. I've always thought this area needed a piece of art to balance out the protruding prods. Updating Georgia O'Keefe's desert theme, I used a grouping of warm tones layered on top of a cool blue. There's nothing more refreshing than an unexpected palette.

Yen Azzaro White Wall Murals Copyright 2011
In making it easier to give people what they want, I thought up some great color combinations that could be plugged in to any design. If you have a room that's a bit of a smorgasboard, a mural is a fabulous starting point to build upon.

What color combos do you enjoy the most? Without being too literal, I would like to see a successful idea for school colors come together. Send me your ideas!
Cheers,

Yen Azzaro White Wall Murals Copyright 2011
In making it easier to give people what they want, I thought up some great color combinations that could be plugged in to any design. If you have a room that's a bit of a smorgasboard, a mural is a fabulous starting point to build upon.

What color combos do you enjoy the most? Without being too literal, I would like to see a successful idea for school colors come together. Send me your ideas!
Cheers,
DRUMROLL PLEASE...
Welcome to White Wall Murals
I've waited far too long to take the plunge but now that I'm working for myself, I can focus on making certain that every piece of my art in your home or business leaves you 100% thrilled and wanting more. For five years I've been an art dealer, privileged to see and handle some of the most dazzling American artworks up close. From this aesthetic I've refined my personal style of painting into a contemporary and saturated palette and can adapt to your preferences for every setting.
I think a lot of people are afraid of committing to a mural. Even I have to admit, it's daunting to think about creating something floor to ceiling in the traditional sense. But a mural by definition is really just something that covers a surface, any size surface. It would be absolutely lovely to have a painted headboard or patterned bathroom tile. I started playing around with some themes and came up with this light plate embellishment. I think it would look spectacular around a sconce or ceiling fixture.

Yen Azzaro, White Wall Murals Copyright 2011
Ikat, a method of resist dyeing thread before it's woven originated from Indonesia and is wildly popular these days. You see it everywhere...

Shorts from Polyvore Pillow from Epitome of Chic Blouse from 949StyleGuide
There will be lots more samples over the coming weeks along with ideas on how to embellish and enliven your live and work spaces with simple projects. Thank you for stopping by. I'm so excited to call Ann Arbor home again (starting this July) and look forward to collaborating with you.
Cheers,

Yen Azzaro
Email: WhiteWallMurals@gmail.com
I've waited far too long to take the plunge but now that I'm working for myself, I can focus on making certain that every piece of my art in your home or business leaves you 100% thrilled and wanting more. For five years I've been an art dealer, privileged to see and handle some of the most dazzling American artworks up close. From this aesthetic I've refined my personal style of painting into a contemporary and saturated palette and can adapt to your preferences for every setting.
I think a lot of people are afraid of committing to a mural. Even I have to admit, it's daunting to think about creating something floor to ceiling in the traditional sense. But a mural by definition is really just something that covers a surface, any size surface. It would be absolutely lovely to have a painted headboard or patterned bathroom tile. I started playing around with some themes and came up with this light plate embellishment. I think it would look spectacular around a sconce or ceiling fixture.

Yen Azzaro, White Wall Murals Copyright 2011
Ikat, a method of resist dyeing thread before it's woven originated from Indonesia and is wildly popular these days. You see it everywhere...

Shorts from Polyvore Pillow from Epitome of Chic Blouse from 949StyleGuide
There will be lots more samples over the coming weeks along with ideas on how to embellish and enliven your live and work spaces with simple projects. Thank you for stopping by. I'm so excited to call Ann Arbor home again (starting this July) and look forward to collaborating with you.
Cheers,

Yen Azzaro
Email: WhiteWallMurals@gmail.com
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